investments you can make as a software developer.
In fact, after browsing chairs for the last few years of my career, I've come to one conclusion: you can't expect to get a decent chair for less than $500. If you are spending less than that on seating -- unless you are getting the deal of the century on dot-bomb bankruptcy auctions -- you're probably making a mistake.
I still believe this to be true, and I urge any programmers reading this to seriously consider the value of what you're sitting in while you're on the job. In our profession, seating matters:
* Chairs are a primary part of the programming experience. Eight hours a day, every day, for the rest of your working life -- you're sitting in one. Like it or not, whatever you're sitting in has a measurable impact on your work experience.
* Cheap chairs suck. Maybe I've become spoiled, but I have yet to sit in a single good, cheap chair. In my experience, the difference between the really great chairs and the cheap stuff is enormous. A quality chair is so comfortable and accommodating it effortlessly melts into the background, so you can focus on your work. A cheesy, cheap chair constantly reminds you how many hours of work you have left.
* Chairs last. As I write this, I'm still sitting my original Aeron chair, which I purchased in 1998. I can't think of any other piece of equipment I use in my job that has lasted me ten full years and beyond. While the initial sticker shock of a quality chair may turn you off, try to mentally amortize that cost across the next ten years or more.
Choice of seating is as fundamental and constant as it gets in a programming career otherwise marked by relentless change. They are long term investments. Why not take the same care and consideration in selecting a chair as you would with the other strategic directions that you'll carry with you for the rest of your career? Skimping yourself on a chair just doesn't make sense.
Although I've been quite happy with my Herman Miller Aeron chair over the last 10 years, I've always been a little disenchanted with the way it became associated with dot-com excess:
In the '90s, the Aeron became an emblem of the dot-com boom; it symbolized mobility, speed, efficiency, and 24/seven work weeks. The Aeron was a must-have for hot startups precisely because it looked the least like office furniture: It was more like a piece of machinery or unadorned engineering. The black Pellide webbing was durable, and hid whatever Jolt or Red Bull stains you might get on it. Held taut by an aluminum frame, the mesh allowed air to circulate and kept your body cool. What's more, the chair came in three sizes, like a personalized tool. Assorted knobs and levers allowed you to adjust the seat height, tilt tension, tilt range, forward tilt, arm height, arm width, arm angle, lumbar depth, and lumbar height. The Aeron was high-tech but sexy -- which was how the dot-commers saw themselves.
